On set the next day, there was a makeshift bamboo forest, a woman in full geisha garb and two people in giant panda suits, making up a bizarre tableau that Mr. Mayer called a “disco dojo.”
John Mayer Reveals Personal Stories Behind Four ‘Wave 2’ Songs
His favorite lyric – “I still keep your shampoo in the shower, in case you want to wash your hair” – is one of many autobiographical moments on the album.
John Mayer Details Origin, Inspiration Behind Four New Songs
The singer, who has also spent the past couple years touring with former members of the Grateful Dead as Dead & Company, says he wanted The Search For Everything to be the kind of massive production you associate with classic 70s albums like Fleetwood Mac’s Rumours.
Bob Weir on Dead & Company’s Future, John Mayer’s ‘Classicist’ Style
When that dream came to me, it was at about that point that I started to realize that I was feeling comfortable with knowing that John had moved, musically speaking – being able to intuit the songs.
'It's Hard To Stay Patient': A Conversation With John Mayer
Basically, I don't know how to reconcile this job I have as a musician with this desire to be a guy who stays at home. I even tattooed it on my arms - Home Life - as some sort of like, thug life alternative tattoo.
Demographics are more than just age. Demographics are like, where you are from, what you think is cool. These are things you can’t put on the U.S. Census [...].
There's a certain kind of arrogance that I've trained myself to have where I take a song that doesn't exist and I pretend it into existence by way of the arrogance of forgetting that that's not really a song yet and playing it like it is.
I didn't know I had a granuloma for most of the making of Born and Raised. The songs are all low [in pitch] because I would hit a ceiling faster. Looking back on it now, I've been making these records based on those limitations.
I woke up to learn, very sadly, that the world of music and guitar playing lost a really incredible musician and writer and guitar player and singer, Mr. JJ Cale.
From CBS Sunday Morning special hosted by Anthony Mason
I wish that I grew up a year every year of my life, and I didn't. I stopped for a certain period of time. And I was 24 for six years or whatever. And then the logjam cleared. And I'm dead-on for 35. It's just, it was a weird way to get here, you know what I mean?
"John Mayer: Restoring An Image, And An Instrument"
This record was all about like, it's sort of improv. And so I would, like, enter this kind of trance - I know it sounds a little bit highfalutin - but I would enter this sort of trance.
From "100 Greatest Artists", published in Rolling Stone magazine
he sings, "My yellow in this case is not so mellow/In fact I'm trying to say it's frightened like me" — that is a man who knows the shape of his heart.
So for "Vultures" [from Continuum, 2006], I have to play the gold-leaf Strat. That's what I wrote the song on, and that's got that incredible second position - what do they call it, the quack? That's the quackiest Strat of all time!
Lately I’ve realized it’s okay to enjoy being a rock star. Like, it might actually be fun to wear sunglasses in the airport and sit in the first-class lounge as a fucking rock star who’s about to go on a world tour.
I’ll tell you, the argument about string gauges is about the silliest thing a guitarist can engage in. Maybe you get a better tone off of bigger strings, but if you can’t bend up to the note, what’s tone anyway?
He and his engineer, long-time friend Chad Franscoviak, built a studio in a rented house in suburban Calabasas, as much for practical reasons as artistic ones.
It's like, you know I don't want to be like one of those guys who is like, "It's like Stevie Wonder lived down the street from Jackson Brown and they hung out in Van Halen's basement." It's just like, Shut up.